Historical

Footnotes

1. 30:1–6 Scholars are divided on the original literary unit. Is it vv. 1–3, 1–4, 1–5, or 1–6? The unit is probably vv. 1–6, for a single contrast dominates: human fragility (and ignorance) and divine power (and knowledge). A similar contrast is found in Jb 28; Ps 73; Is 49:1–4. The language of self-abasement is hyperbolic; cf. 2 Sm 9:8; Ps 73:21–22; Jb 25:4–6. Agur: an unknown person. Massaite: from Massa in northern Arabia, elsewhere referred to as an encampment of the Ishmaelites (Gn 25:14). But Heb. massa may not be intended as a place name; it might signify “an oracle,” “a prophecy,” as in Is 15:1; 17:1; etc.
2. 30:3–4 Agur denies he has secret heavenly knowledge. The purpose of the denial is to underline that God directly gives wisdom to those whose conduct pleases him.
3. 30:4 The Hebrew text has the phrase “do you know?” at the end of v. 4, which is supported by the versions. The phrase, however, does not appear in the important Greek manuscripts Vaticanus and Sinaiticus and spoils the sense, for Agur, not God, is the questioner. The phrase seems to be an addition to the Hebrew text, borrowed from Job 38:5, where it also follows a cosmic question.
4. 30:5–6 Verse 5, like the confession of the king in Ps 18:31 (and its parallel, 2 Sm 22:31), expresses total confidence in the one who rescues from death. Agur has refused a word from any other except God and makes an act of trust in God.
5. 30:7–9 A prayer against lying words and for sufficiency of goods, lest reaction to riches or destitution lead to offenses against God.
6. 30:11–14 Perverted people are here classified as unfilial (v. 11), self-righteous (v. 12), proud (v. 13) and rapacious (v. 14).
7. 30:15–16 Here begins a series of numerical sayings; the pattern is n, n + 1. The slight variation in number (two and three, three and four) is an example of parallelism applied to numbers. The poetic technique is attested even outside the Bible. Two daughters: “Give,” and “Give”: the text is obscure; as the leech (a bloodsucking worm) is insatiable in its desire for blood (v. 15), so are the nether world for victims, the barren womb for offspring, the earth for water, and fire for fuel (v. 16). Sheol: here not so much the place of the dead as a force (death) that eventually draws all the living into it; cf. 27:20; Is 5:14; Hb 2:5. Land…fire: land (especially the dry land of Palestine) always absorbs more water; fire always requires more fuel.
8. 30:18–19 The soaring flight of the eagle, the mysterious movement upon a rock of the serpent which has no feet, the path of the ship through the trackless deep, and the marvelous attraction between the sexes; there is a mysterious way common to them all.
9. 30:20 This verse portrays the indifference of an adulterous woman who casually dismisses her guilt because it cannot be traced.
10. 30:21–23 Shaking heavens are part of general cosmic upheaval in Is 14:16; Jl 2:10; Am 8:8; Jb 9:6. Disturbances in nature mirror the disturbance of unworthy people attaining what they do not deserve. Glutted with food: someone unworthy ends up with the fulfillment that befits a wise person. Unloved woman: an older woman who, contrary to expectation, finds a husband.
11. 30:24–28 The creatures may be small, but they are wise in knowing how to govern themselves—the definition of wisdom. Badgers: the rock badger is able to live on rocky heights that provide security from its enemies. Locusts: though vulnerable individually their huge swarms are impossible to deflect.
12. 30:29–31 Four beings with an imperiousness visible in their walk. Only the lion is described in detail; the reader is expected to transpose its qualities to the others.
13. 30:32–33 The same Hebrew verb, “to churn, shake,” is applied to milk, the nose (sometimes a symbol of anger), and wrath. In each case something is eventually produced by the constant agitation. The wise make peace and avoid strife, for strife eventually harms those who provoke it.
14. 31:1–9

    Though mothers are sources of wisdom in Proverbs (1:8; 6:20), the mother of Lemuel is special in being queen mother, which was an important position in the palace. Queen mothers played an important role in ancient palace life because of their longevity, knowledge of palace politics, and loyalty to their sons; they were in a good position to offer him sound counsel. The language of the poem contains Aramaisms, a sign of its non-Israelite origin.

    The first section, vv. 3–5, warns against abuse of sex and alcohol (wine, strong drink) lest the king forget the poor. The second section, vv. 6–9, urges the use of alcohol (strong drink, wine) so that the downtrodden poor can forget their poverty. The real subject of the poem is justice for the poor.

15. 31:1 Massa: see note on 30:1–6.
16. 31:2 My son: in the Septuagint, “my son, my firstborn.”
17. 31:3 The Hebrew word here translated “strength” normally means “ways,” but the context and a cognate language support “authority” or “strength” here.
18. 31:10–31 An acrostic poem of twenty-two lines; each line begins with a successive letter of the Hebrew alphabet. As with many other acrostic poems in the Bible, the unity of the poem is largely extrinsic, coming not from the narrative logic but from the familiar sequence of letters. The topic is the ideal woman described through her activity as a wife. Some have suggested that the traditional hymn extolling the great deeds of a warrior has been transposed to extol a heroic wife; the focus is on her exploits. She runs a household distinguished by abundant food and clothing for all within, by its trade (import of raw materials and export of finished products), and by the renown of its head, her husband, in the community. At v. 28, the voice is no longer that of the narrator but of her children and husband as they praise her. The purpose of the poem has been interpreted variously: an encomium to offset the sometimes negative portrayal of women in the book, or, more symbolically (and more likely), a portrait of a household ruled by Woman Wisdom and a disciple of Woman Wisdom, i.e., he now has a worthy wife and children, a great household, renown in the community.
19. 31:10 Who can find…?: in 20:6 and Eccl 8:1 the question implies that finding such a person is well-nigh impossible.
20. 31:12 Profit, not loss: a commercial metaphor.
21. 31:14 Like a merchant fleet: she has her eye on the far horizon, like the ship of a merchant ready to bring supplies into her larder. It is the only simile (“like”) in the poem.
22. 31:17 The metaphor of clothing oneself is used to show the woman’s readiness. One can gird on weapons of war and might and splendor (Ps 69:7; Is 52:9).
23. 31:18 Her lamp is never extinguished at night: indicates abundance of productive work and its accompanying prosperity; cf. 20:20; Jb 18:6.
24. 31:19 The wife weaves linen cloth from flax and wool from fleece, which she cultivated according to v. 13. Distaff: staff for holding the flax, tow, or wool, which in spinning was drawn out and twisted into yarn or thread by the spindle or round stick.
25. 31:23 The husband is mentioned for the first time since vv. 10–12 but as “her husband.” He will not be mentioned again until v. 28, where he praises her.
26. 31:25 Laughs at the days to come: anticipates the future with joy, free of anxiety.
27. 31:27 Watches over: Hebrew ṣopiyyâ, perhaps a pun on the Greek sophia (= wisdom). Bread of idleness: she does not eat from the table of others but from her own labors.
28. 31:30 The true charm of this woman is her religious spirit, for she fears the Lord; cf. note on 1:7.