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10 The elders of daughter Zion
    sit silently on the ground;
They cast dust[a] on their heads
    and dress in sackcloth;
The young women of Jerusalem
    bow their heads to the ground.(A)

11 My eyes are spent with tears,
    my stomach churns;[b]
My bile is poured out on the ground
    at the brokenness of the daughter of my people,
As children and infants collapse
    in the streets of the town.(B)

12 They cry out to their mothers,
    “Where is bread and wine?”
As they faint away like the wounded
    in the streets of the city,
As their life is poured out
    in their mothers’ arms.

13 To what can I compare you[c]—to what can I liken you—
    O daughter Jerusalem?
What example can I give in order to comfort you,
    virgin daughter Zion?
For your breach is vast as the sea;
    who could heal you?(C)

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Footnotes

  1. 2:10 They cast dust: as a sign of mourning; cf. Jos 7:6; Jb 2:12; Ez 27:30.
  2. 2:11 My eyes are spent with tears, my stomach churns: the poet appropriates the emotional language used by Zion in 1:16 and 1:20 to express a progressively stronger commitment to her cause. After describing the systematic dismantling of the city in vv. 5–9, the poet turns to the plight of the inhabitants in vv. 10–12. It is the description of children dying in the streets that finally brings about the poet’s emotional breakdown, even as it did for Zion in 1:16.
  3. 2:13 To what can I compare you…?: the author calls attention to the poetic task: to find language that speaks adequately of the atrocities and incomparable suffering experienced by Zion, and thus to attempt to offer comfort.

18 Cry out to the Lord from your heart,
    wall of daughter Zion!
Let your tears flow like a torrent
    day and night;
Give yourself no rest,
    no relief for your eyes.

19 Rise up! Wail in the night,
    at the start of every watch;
Pour out your heart like water
    before the Lord;
Lift up your hands to him
    for the lives of your children,
Who collapse from hunger
    at the corner of every street.[a]

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Footnotes

  1. 2:19 The poet urges Zion to appeal to the Lord once more on behalf of her dying children. The image of Zion’s children effectively condenses the metaphorical sense of all residents of the city (young and old alike) into the more poignant picture of actual children at the point of death. It was precisely this image, no doubt well known to survivors of besieged cities, that led to the emotional breakdown of both Zion (1:16) and the poet (2:11). The hope is that the Lord will be similarly affected by such a poignant image and respond with mercy.